ParksArtworks

Art Materials (Hardboard)

2012-01-08T09:35:00.000-08:00

Hardboard, commonly referred to as masonite, more and more is being used as a substrate for painting, drawing, and other media. Primed with clay, paper, gesso, etcetera - ready for oil, acrylic, egg tempera, watercolor, encaustic, ink, collage, and much more.

Unlike many masonite products found at your local hardware store, artist hardboard, is often made to be more stable, less toxic, and less harmful to you, as-well-as the environment. Lumber products are often treated with chemicals for many purposes; however, certain types of chemicals are better off avoided in art making if not other constructive ventures. Hardboard, designed for artistic uses have advantages over other alternatives; so as long as certain steps are taken in it's use, as well as precautions in the choice of what brand or type.

Formaldehyde, that evil chemical that always crops up in art material safety has made it's way on to the manufacturer's label to help ease the worried minded purchaser. However, most art material manufacturers are going to avoid this chemical as much as possible; mainly because they know the artist is aware of it. It also never hurts to check. In the case of Jack Richeson's Premium Artist's Hardboard, they went to the trouble to ease those worries by printing it on the label.

Archival products are important to many artists, galleries, museums, and collectors alike- therefore you will find labels on materials informing you of the products being such.

Along with archival labeling, Ampersand informs you of their commitment to the environment (not shown), stating their panels are made from sustainable forest products, ensuring the protection of wildlife, plants, soil, and water. A plus for those environmentally conscience artists, like here at ParksArtworks©.

ASTM label, or rather the label concerning art materials- ASTM D4236. ASTM is the international organization for testing materials and the ASTM D4236 label is the standard practice for labeling art materials. Seeing labels like these on a product simply means they are conforming to ASTM standards to provide a product that is safe. You will find it on products from finger paint to, well... the topic at hand. However, a note of caution, the studies and information is usually designed around the typical use for a product. In the case of encaustic, material is heated, and heating things up to such high temperatures have their own risks not always included in such studies because they expect you to use it for what it was designed or intended to be used for.

Hardboard at the hardware store also comes with a collection of labeling. Manufacturers do this for all sorts of reasons- be it their own personal business reasons or required by law. You can find out more from those specific manufacturers or the place you happen to be visiting.

Hardboard benefits over dimensional lumber, plywood, canvas, or whatnot can be many- but nothing is perfect- with each comes their own benefits. Hardboard is lighter than plywood, canvas can flex, dimensional lumber is aesthetically pleasing- it may just simply come down to preference. Aside from the cost on occasion, hardboard beats many on convenience- particularly those primed for your specific need.

thank you for reading

BACK TO

2011-11-29T18:33:00.000-08:00

Crayons, known for having produced many stick figures, showing alternatives to simple batik processes, used to push up ones nose, rudimentary in wax monoprinting, and along with who knows how many other enjoyable activities- 'cept maybe not the nose thing.

The term crayon is inclusive, synonymous with certain memories and products. Not always on the top list for artist materials, or at least professional artist ones. Sometimes even condemned to be, "childish," as if, "childish," is a bad thing. Having my own reservations about them, I still feel they've earned a right, even if it were out of just plain nostalgia. It is however, for more than just nostalgia's sake.

Something that springs to mind is that I have been using them for teaching encaustic monoprinting. Rarely ever do we use expensive high-end art supplies to learn a new art form or process, at least not if it isn't necessary, and of course, not in saying to cheap'n the value of the crayon. Here is a look at how crayons are useful different ways.

First off, it is to make full use of that nostalgia value. Nothing like digging through a bucket crayons, or breathing in that familiar scent, to get the memory juices flowing. If not used for what they were meant, they can be found in advertising, sculptures, mailboxes, collections, and much more than one can think of. Where have you seen crayons outside of typical coloring? Images of the crayon are everywhere, just look at the header of this post. Nostalgia plays a big role and is important- whether we realize it or not.

Monoprinting

Second, and keeping it short with links to previous posts written on the topic, a process making use of the everyday run-of-the-mill crayon. Combining encaustic and printmaking, wax monoprinting or monotypes, in general is a printmaking technique that creates individual unique pieces with the process applied to encaustic. The process is very simple and crayons make the perfect learning tool. Being relatively inexpensive compared to encaustic paint, but ready to use out of the box, plentiful supply of colors, and found in many stores just around the corner- it's hard to argue the case for not using them. Monoprinting with crayons can be a fun and easy first step to learning a new technique, one tied to a ancient practice. Only remember if you plan on creating gallery worthy work, you may (or may not) move on to encaustic wax.

Batik dyeing

Crayons can be used in a simplified batik process or in candle-making as well. Crayons argumentatively will always have a place and serve the purpose of many lessons in art making- WOW! if only only I had my own crayon making mill and label machine I could make my own, with my own choice of ingredients.

Thanks for reading and don't forget to look at, Crayons in the Realm of Encaustic, if you would like to read more technical stuff or about encaustic itself, look at the Encaustic Resources.

A simple photo studio for websites, blogs, shops, etc.

2011-11-21T19:55:00.001-08:00

Getting the best shot for online websites, blogs, shops, etcetera... all starts with a very SIMPLE studio.

Expensive? No!
Hard to find? Not really!
Confusing? Nope!
What about the camera? Uhh... not now.

You will need one office style presentation easel (this article uses a clamp style), a large sheet of white, grey, or black paper for a backdrop that is approximately 3' x 6' (grey or black is recommended over white), a sheet of 22" x 30" hot press watercolor paper (hot press has a smooth surface that does not excessively create shading/shadows in the photo like a rough or cold press paper will), four magnets (preferably neodymium, they wont mark the paper like the black ones and they are much stronger for there size), and a table or the floor (whichever space you prefer- there is benefits to working on either surface).

First off, do your best not to kink, krumple, dent, or bend your papers; those sorts of things can create shadows that show up in the photo.

As seen here in this post's pics, you get a good idea how to set-up. Rather simple, and most supplies outside of the camera equipment, were found at a thrift store, or were inexpensive supplies from the hardware and artist supply shop.

The watercolor paper purchased from an art supply shop will cost around three dollars for a twenty-two by thirty inch sheet- and you can buy the generic brand- only be sure it is hot (smooth) press. If you are shooting larger objects (say around ten to fifteen cubic inches) get a larger sheet of paper. This is because it's difficult to shoot without showing the edges of the paper (of course this is only if you care).

Magnets from the hardware store can sometimes be pricy (ehh, about $6), have endless uses. But most importantly, four of them hold up the WC paper on the backdrop paper. It is important not to permanently attach the WC paper to the backdrop paper. Depending on the item being photographed, either a vertical or horizontal piece, you will shift the WC paper up or down- shooting from the side or more above the object. As for the backdrop, it helps to glue a stiff strip of board to the top edge to help the easel grasp it. This may vary on what style of easel that you have. You can also fold it over several times, just be sure to buy a sheet of paper about a foot longer to compensate for the loss.

As for the easel, picked this one up from a thrift store for about three bucks, oddly and quite by surprise, if you buy it new from the office supply store, the price is quite hefty. This setup will get you going, but remember photo editing software can do a lot, and even the best studio, with the best setup, will still use it. The pictures below are some crayons I photographed with this studio setup, they are for a encaustic monoprint post, Crayons in the Realm of Encaustic- photo on the right, before photoshop (PSElements) and the photo-shopped (PNG) version on the left.

Some simple tips (I won't give lengthy descriptions), play with these in photoshop: 'levels,' 'colorcurves,' 'saturation,' 'brightness/contrast,' and as seen in this posts pics, 'PNG,' files allow for backgrounds to be cropped out with the, 'magic wand tool,' (play and tweak the tolerance for best results- tolerance controls how many pixels are selected) and the result is a transparent background to match website background, or in my opinion, simply to get rid of that annoying blocky feel.

Have a
Happy Shoot!!! :)

Art Materials (Japanese Pull Style Saws)

2011-11-14T01:00:00.000-08:00

As an artist and a woodworker I've always found a Japanese pull style saw to be one of the most beneficial tools to have around the workshop or studio.

A saw designed on a pull stroke instead of the western design to push in order to cut- it is used where accuracy and control are key to great craftsmanship. The pull design allows for a very fine kerf (the width of a cut) than it's push alternative that has a thicker blade that resists bending or kinking when pushed.

Additionally a blade can be purchased, less strain on the wallet when it comes to replacement, and why buy a handle if you dont need to. Any downsides to the design may be how easy it is to knock of a tooth or two if and when care is not taken. All in all, far worth the cost and recommended over the alternative for those looking for a great saw.

Peek at a Current Project

2011-11-10T15:04:00.001-08:00

Kasha Katuwe

Soon I will add encaustic wax to this stack of board and wood (along with another section not shown) to recreate a place, Kasha Katuwe, Tent Rocks National Monument. All part of works I am doing on the topic of land.

Excerpt from Portfolio - Current project concepts surround the topic of land and how it is built upon, utilized, and restructured to suite the needs and wants of the public pursuant of preservation and restoration with a requisite of use.

New Look & Features!

2011-10-19T00:18:00.000-07:00

ParksArtworks© has been and will be going through some changes in the way it looks, and in the way you navigate. Things have been streamlined and made more efficient in order to bring a better online experience.

There are two main pages: The Blog and the Encaustic Resources.

Don't forget you can connect with us on Facebook and Twitter- whatever might be your favorite way to stay connected.

If there are any concerns, question, suggestions, or comments- which are very much appreciated, do not hesitate to contact us.

Thank you

Sincerely,

ParksArtworks©

Encaustic: What's Next?

2011-09-22T16:17:00.000-07:00

I started working with encaustic a decade ago, drawn to it's sculptural qualities as a painting medium. (Image- one of the first encaustic painting that I had ever painted: Untitled 10" x 10" 2002.) I set up the Encaustic Resource Pages to provide basic to advanced tutorials and information, plus supplemental info., such as where to purchase supplies. Now... the next step is up for suggestion.

Beyond the information out there that wasn't out there just a few years ago, the more recent information, personal blogs, websites, YouTube videos, instructional DVDs- all rely mostly in suggestions and personal technique. I myself suggest using one tool over another, say one is better suited. I can give you information on temperatures, substrates, brands, or safety precautions. And, I have given much of this, this kind/sort/type of information on those resource pages. However, I would like to offer more, but it is clear to me that this is quite difficult to do or to decide upon not knowing the express needs of the individual. I could further the site with more photographs or videos of step by step visual instruction on a topic. As visual artists there is no harm in offering more visual aids. Knowing, sometimes it is easier to see how, than to be told how.

So what is next for my Encaustic Resource Pages, particularly Tools and Techniques in encaustic (outside of video/image tutorials), is there something drastically missing? Is there something you are looking for that isn't there? Perhaps a full fledged website would be nice (no money for that right). Better navigation never hurts. A collection of works from artist who use wax or encaustic as a medium would be cool. This is all open to suggestion- even if you don't work in encaustic.

Personally I will be trying to keep up by posting news on what I am personally doing art wise, including encaustic- primarily in a sculptural realm. So stay tuned, comment, ask question, and/or wait.

As always, thank you for reading,
Jonathan

Current Work Continues: Installation?

2011-09-16T15:45:00.000-07:00

Lately I seem to get stuck with the idea of: Should I or should I not make what I am working on an installation? I have not come to all the ideas of what it clearly is- therefor it is difficult to say that I want to take that route. Anyway, here is another glimpse, an addition to the project I posted previously- a display cabinet, adding to the fourteen foot long piece of meandering wood and encaustic sculpture. I hope to add more encaustic 'parts' or 'pieces' to the whole thing at a later date- so I will continue.

Current Encaustic Project

2011-08-28T14:34:00.000-07:00

Path | 1 x 168 in.

A glimpse of my current piece, encaustic and wood. This project is intended as sort of an installation, titled, "path," it is one of several in a series of pieces on the topic of land. It is building on the idea of the trail, a confined pathway that is natural and unnatural. The piece is intended to cut through a space much like a pathway or trail cuts through , meandering, conforming to it's environment. The piece is to be suspended and pictured here as a work in progress, temporarily installed in the artist studio floor.

Current Happening

2011-08-27T15:38:00.000-07:00

Recently I had the pleasure of designing this ad... as well as photographing the art- which was used in the header design, within the ad, and on Ghost Ranch's website.

FROM THE AD

Opening Reception: Saturday August 27, 2011, 2-4 pm
@ Ghost Ranch Piedra Lumbre Education and Visitor Center

The Illusion of Colors, featuring a variety of bright energetic colors as creative expressions by artists who participate in the VSA Day Arts Program at North Fourth Art Center. In their varied and artistic ways, the artists interpret and celebrate different hues and ranges of color in the art of quilt making, unique ceramics and mixed media painting. Color has a great effect on us all, both emotionally and physically, and the artworks presented encourage interaction and discussion.

"We believe that art is to be shared, to be given and received with appreciation, respect and awareness. The red and yellow cliffs of Piedra Lumbre makes a magnificent backdrop for our artists' colorful work," said Lina Jabra, Community Development Director.

The goal of the exhibit is to highlight the artistic achievements of individuals with disabilities and provide opportunities to exhibit and sell their artwork statewide. Currently a portion of the sale of each work goes to support the Ghost Ranch Piedra Lumbre Education programs with the remaining portion going directly to the VSA artists.
________________________________________________________________________________

The visitor center is located on US Highway 84 between mile marker 225 & 226, just north of the main Ghost Ranch entrance. For more information and hours of operation
please call (505) 685-4312 or visit www.ghostranch.org.

REMINDER: Allyson Packer

2011-06-27T20:40:00.000-07:00

REMINDER of upcoming exhibit.

Allyson Packer; fellow artist and friend, is having an upcoming exhibition of her work in Albuquerque, NM at the Harwood Art Center; I wanted to take a moment and offer her my support.

Allyson Packer works in a variety of media, taking subject matter from her own life and using it to examine the human need to seek out structure and understand our place within it. She received her BFA from the University of North Carolina, Chapel Hill and has shown nationally in Maryland, Minnesota, and New Mexico. She was the recipient of the Harwood Art Center's 2010 Crissey Emerging Artist Fellowship and has been named a 2011 fellow at the McColl Center for Visual Art in Charlotte, NC.

Her upcoming exhibition, "As Much as I Can Carry: Personal Plans for Survival," the artist creates installations reflecting on her experiences surrounding time she spent living in New Mexico. Using the theme of survivalism in the desert, her artwork tells the story of an individual searching for meaning in a desolate environment. Serving as a site for the projection of an internal conflict, the desert reveals both the conscious desire for autonomy and subconscious desire for comfort and inclusion.

You can find out more about Allyson and her work at these websites, http://allysonpacker.com/ and http://www.youtube.com/user/allypak.

So if you are in ABQ, go see Allyson's show, Opening Friday, July 1, 2011 6pm-8pm.

As Much as I Can Carry: Personal Plans for Survival

At the Harwood Art Center main gallery

1114 7th Street NW
Albuquerque, NM 87102
(505) 242-6367

http://harwoodartcenter.org

Thank you for reading,

Jonathan

P.S. Thanks A.P., for the info :)

World Refugee Day

2011-06-10T21:37:00.000-07:00

Hello All,

As part of World Refugee Day, it would seem that some of the lessons on encaustic monoprints came front and center. Come out and support- wherever you are in the world.

As always- thank you for reading,

Jonathan

For more information on World Refugee Day, search World Refugee Day or visit http://www.un.org/en/events/refugeeday/.

Americorps Exhibition at VSA N4th Art Center

2011-05-30T22:49:00.000-07:00

Hey folks,

I have been a little busy co-curating an upcoming exhibit dedicated to all the hard working Americorps at VSA N4th Art Center. Exhibition details can be seen on the postcard to your right and below.

It has, from what I understand, been a tradition to offer an exhibition to those artists who come to work and teach their talents; offering their skills through N4th's programs. Such talents range from theatre, music, visual arts, and more- they all are more than grateful for this opportunity to display their artistry. So...

Come out and support those who have dedicated their time, energy, and talents; opening reception is June 3rd from 5 pm. to 7 pm. at:

Support Some Good Folk

2011-05-09T22:21:00.000-07:00

Hello All,

I wanted to divert from typical posts and throw out some support for friends, family, and just a couple of random things I just happen to like.

I would like to start with music, and with music, it is easier to listen than read; so I will keep it brief. The Albuquerque Boys Choir (ABQBC), a a'cappella, acoustic, folk band; two ladies I had the pleasure of working with my first year as Americorps; sound pretty good and not to mention, friends:)

ABQBC has this thing at there house every once and again that they call, "Communion," where a bunch folks get together and play music and such and have a good old time. Anyhoo, those little shindigs led me to mention, The Good Ship S.S. Perry, good luck in NYC. Which all led me to Bandcamp a website for musicians- where I found lots of stuff to listen to while making art, like Lemelo (cool to be the first from NM to buy:), Jeans Boots, and many other great bands (that I don't personally know but like their music). Point being support friends and small bands and stuff alike, cus well I'm a small, (uh- artist) myself.

Speaking of artists, a little reminder, Allyson Packer, and also check out another friend, lamagnolia. Easier to see than me write; but they are worth a looksy.

I don't want to forget my sister sells stuff, so check out hurricanehetta. Stuff she makes, stuff she finds, stuff that's vintage, stuff that's a good price.

Also if you know me, or- eruh- I guess don't know me, shoot me a link of similar subjects and I will post it (as long as it is not to objectionable).

Thanks for reading, and looking, and supporting, and well anything else
Jonathan

*ABQBC photo credit Eric Parthum

Artwork by Exploratory Arts Studio Artists; from VSA N4th Art Center

2011-04-24T21:22:00.000-07:00

Hello Readers,

I would like to take a moment and share with you the upcoming exhibition of artists from VSA N4th Art Center's Exploratory Program.

I had the pleasure of working with many talented artist within Exploratory as part of my first year through Americorps. It is nice to see their efforts move out into the community. So, if you are in or from around Albuquerque, or know someone who is, come and support the artists and your local community. The exhibit will be taking place at Hookah Kings Westside, 9784 Coors Blvd. NW (First right after Irving Blvd.) Albuquerque, NM 87114.

Thank you for reading, and thank you for supporting your local artists
Jonathan Parks

P.S. You can also visit VSA N4th art center to see more of the artists work. To learn more how you can support, visit:
4904 Fourth Street NW

Albuquerque, NM 87107

http://www.facebook.com/VSANorthFourth
http://vsartsnm.org/

Glass Landscape

2011-04-12T22:20:00.000-07:00

There is this most ridiculous of places to leave a person in wonderment. Situated far to close to the Rio Grande River in Albuquerque, NM- in what should be prime riparian habitat; yet I can not help but accept it's presence.

Environmental blight or spectacular dreamscape, this dumpsite which was repeatedly burned to remove waste has left behind a glittering landscape to behold. I realize what harm such a place held and holds on the environment; particularly so close to the river. However, as an artist I like to see the potential in what has already come to be. Some say leave it be, some sort of beautiful place everyone should visit. Some go rake and bucket in hand to seek out their treasures. Some would demand the clean-up of what could easily be labeled- environmental hazard; return what was made wrong and make it right again.

I can see where most rational opinions can have a place. As someone who cares dearly for the natural world I wish such things would not be. Treating this place as some sort of historic site or preserving it's place in the world seems a bit much in my opinion. People learn from their own and their predecessors mistakes; accepting what is and finding something new and good in it all- also is where I stand. However, I don't think someone should visit digging with a rake or shovel for that special find; only to stir it about- health hazards I imagine abound. I expect mercury and lead amongst the black dust and glass. Remnants of pasts lives, mostly broken (lol, the glass- not necessarily their lives), some not broken, some melted, ceramic shards, and occasional pieces of metal. Bottles may still even have their caps- joking if you are to open one of those scarcities you may unleash the plague, but unlikely.

I can imagine there are places like this all over the world; but, this is almost in my backyard. The leftovers of decades of seemingly endless glass- left behind when all else has smoltered away by ignorance. Have to say you need to see the beauty in it and move past to something better- like melted lightbulbs :)

Thanks for Reading!

Allyson Packer

2011-04-10T22:13:00.000-07:00

Allyson Packer; fellow artist and friend, is having an upcoming exhibition of her work in Albuquerque, NM at the Harwood Art Center; I wanted to take a moment and offer her my support.

Allyson Packer works in a variety of media, taking subject matter from her own life and using it to examine the human need to seek out structure and understand our place within it. She received her BFA from the University of North Carolina, Chapel Hill and has shown nationally in Maryland, Minnesota, and New Mexico. She was the recipient of the Harwood Art Center's 2010 Crissey Emerging Artist Fellowship and has been named a 2011 fellow at the McColl Center for Visual Art in Charlotte, NC.

You can find out more about Allyson and her work at these websites, http://allysonpacker.com/ and http://www.youtube.com/user/allypak.

So if you are in ABQ, go see Allyson's show, Opening Friday, July 1, 2011 6pm-8pm.

As Much as I Can Carry: Personal Plans for Survival

At the Harwood Art Center main gallery

1114 7th Street NW
Albuquerque, NM 87102
(505) 242-6367

http://harwoodartcenter.org

Thank you for reading,

Jonathan

P.S. Thanks A.P., for the info :)

Art Materials (Model Kits?) Continued

2011-04-03T20:56:00.000-07:00

As promised, I want to briefly update you all on the, "Art Materials (Model Kits?)," adventure with encaustic paint.

The future plan is to paint or dip these, roughly 3.5 inch plastic people in encaustic paint and then add them to a sculpture; generally speaking that is. I have been more inclined to work three-dimensionally for some time now and want to place a human element in some pieces.

I thought I should test how the encaustic and it's processes effect the plastic with the scraps first; for example, see what might happen under heat. I am also slightly concerned about how the wax will stay stuck to something like this; maybe I should rough it up a bit. Anyway, here are a couple of pics to show you up close what they look like out of the box.

Thank you for reading and don't forget to check back for future updates.

Teaching Wax Monoprints

2011-03-30T20:42:00.000-07:00

I recently taught the basics of wax monoprints to a group of high school individuals as a part of my Americorps position at a non- profit organization that provided outreach as a component of VSA North Fourth Art Center's many programs. The programs are geared towards, or facilitate arts for/in the community. I along with other members of the outreach team travel around to different sites in Albuquerque, NM with the purpose of offering art based lessons and activities.

At this particular location we offered art and other lessons to high school students that are part of a after school program through Catholic Charities. The lesson this day was a basic encaustic, or rather, wax monoprint/monotype project; a project that I love to share. Unfortunately a budget commands crayons over real encaustic paint; however, the project was still successful- even with the wind. Yes, I said wind. Not to say that we couldn't have done the project inside; but, we all opted to work in the courtyard.

With kozo paper, watercolor paper, paper towels, rocks :) to keep the wind at bay, and a bucket of crayons instead encaustic, ten or so students created some great first pieces. Everyone was given both 90lb watercolor paper and Japanese kozo paper to see the diferences between the two; how paint sits and soaks into the surface creating two very different looks.

In the future I hope to make encaustic sticks using a crayon or candle mould. Especially if the student or individual has participated in the crayon version. Crayons worked well for this project, making them okay, and of course taking the account of sticking with a budget. Also, not to mention, blocks of encaustic are hard to handle sometimes when making small marks and lines. A baren for pressing the paper down on the palette and a handfull of tools for manipulating the paint on the palette would have been handy; forgot to bring those. However, there is always next time and for a first go at it, along with trying to document the whole process, I call a success- especially since everyone had a good time and learned something new. Below are some of the students work.

Thank you all for reading,

Jonathan

Art Materials (Model Kits?)

2011-03-29T19:05:00.000-07:00

Not just for glueing and painting, then playing with or staring at; all though, I will be making something that will be stare at. Technically this is a Japanese toy model kit from the 1980's; leaving me to title this post the obvious: "Model Kits?;" honestly, I don't know what to title it. Not to say anything bad, but I'm not a model kit kind of person. So the strangeness that I find in this may only be in the fact that I lack model kit knowledge. All of my memory of such things were of airplanes, cars, and alike; not necessarily people. The reason I bought it (from a thrift store) was for a art project; and a art project it will be.

Working mostly with encaustic I am likely going to cast them or dip them in wax. Concerning me with how the plastic and glue will react to massive amounts of heat (somewhat avoidable heat); maybe a good reason just to build it and cast it. I like the fact that they are flesh tone and not some other nondescript color of plastic such as grey. If I decide to dip them I may just use a clear coat of medium to retain some of that fleshy plastic look; who knows.

With literally hundreds of ways of using such things in your artwork the possibilities are endless. And if anyone has any ideas they would like to share, please do so; particularly if you use such things already. My problem is only in that I don't want to open it now because I found similiar kits selling online anywhere from $65 to $100; yikes! Well, if anything- maybe I sparked some ideas for you. I am looking forward to posting more on what I end up doing with it.

As Always: Thanks for Reading,
Jonathan

Art Materials (Stuff #5)

2011-03-24T17:08:00.000-07:00

This post is about wood; you don't have to be a sculptor, carpenter, or woodworker to have a reason to seek out wooden objects; painters and alike have good reason to keep their eyes peeled. Also, you don't need to go to a wood supplier to get all that you need; even-though, places like Rockler Woodworking and Hardware, Japan Woodworker, and Woodcraft can supply you with much of what you need. Panels from frames can be painted on, cabinet doors are pre-made panels with frames, sides of furniture also, backs of old cabinets are often left quite intact even with the rest falling apart, and tops of tables and dressers are usually a nice solid piece of wood.

You can learn more by reading Wood on the Tools and Techniques page of the Encaustic Resources Pages.

Buying local is always the best way to go; that and there is usually a wood supplier around most places & oddest places. FSC wood is good, or if it is really local you will know why the tree was cut in the first place; maybe even exactly what tree it was. Houses get built, roads laid, storms topple, and trees rot; sources you need not feel bad for salvaging wood.

Local wood suppliers often carry local wood; also odds & ends that normally would be scrap. Like this piece of walnut I bought from the scrap box at the local Woodcraft here in Albuquerque NM. Part of an encaustic series on landscapes that I am working on- and is long overdue; hope to post on that at some point.

Speaking of that project, I've been using turning stock, like this black palm (see below), often 'green' stock which can pose a problem. If you not aware, wood is typically kiln dried; moisture is drawn out of the wood in a controlled environment. What you buy from the lumber store will stay relatively the way it was purchased with kiln dried products. However, turning stock is often green wood; wood that has not been completely dried or dried at all. Green wood is great for turning a bowl on a lathe, but not so good for many other projects. As the wood dries- checking, cracking, splitting, twisting, and warping can all occur; particularly if the wood dries really fast. This environmental effect I actually like, and I am working to incorporate that in my series; also a effect that I am not necessarily choosing to be a part of the piece- yet keeping it in mind.

Wood comes in many different species and from many regions of the world; from Gabon ebony to longleaf yellow pine. I stress this point: that if you must have a certain species to get exactly the look you want, and there is no other option, pay attention to the practices of the company or business that it is purchased from. Also I have been incorporating veneers (a thin covering of wood typically placed over lesser valued species; common on the surfaces of plywood). I use the veneer when I want a more exotic look; I am able to afford more species and veneer is less damaging on the environment. It does not make since to damage what I am trying to protect. You might be asking yourself: why use it at all? Well, think about fair trade coffee; buying properly managed wood products from reputable companies, through organizations that pride themselves on sustainability and providing employment to people who need employment- just makes sense. You won't be able to completely eliminate the harvesting of wood, but you can pick who you buy it from; support the companies with good practices- thus eliminating the alternative.

Thanks for Reading
Jonathan

Art Materials (Stuff #4)

2011-03-23T17:09:00.000-07:00

What is practical in art supplies? Uhhhh, I mean you know what it is used for, and that 'is', what it will be used for, instead of not knowing like before.

Brushes, rulers, tools, paint, glue, pigment, sandpaper, wood, whatever it is, you know how you are going to use it. Like this self inking number stamper used in the mailing industry, I will now be using it to number my prints; up 999,999 of them. Ok, I am probably not going to make 999,999 of anything, but it's nice to have the ability. A super handy purchase and picked up in a thrift store for just a few bucks; what I like the most is a trigger on the back-side that will advance it by an addition of one. It does need to be cleaned and a archival ink used, but it's worth it.

Practicality I reckon is in a item's usefulness; really it is all in how you look at things. Take for instance this print of knots; the practicality is in it's information; not in the physical use. But if you have no use for, say shards of glass, then practicality is individualized.

I personally like to think there is some practical use in things that give you inspiration; inspiration that drives one to create.

Art Materials (Stuff #3)

2011-03-21T19:19:00.000-07:00

Hello,

What the heck am I going to do with this? We all seem to buy things now and again that we just like for some reason or another; yet, when we get it home we ask ourselves and wonder why?

I do this all the time when it comes to art supplies; however, I feel that there is a little more flexibility in art stuff. Reason being: if you can make something out of it or use it (e.g. paint, pencil, etc.) then it WILL get used- eventually. The problem for me is when it comes to storing it all.

Reasons may have been there when buying in the beginning, but went out the window later. These opaque glass pieces were to be part of a kaleidoscope project, but now that the project is a bust I will have to repurpose them. I wondered how they might be used in an encaustic work. I am sure it will come to me eventually.

Also, when buy buying oddities from here and there it's easy to be fooled. I am always on the lookout for wood- thought that when I bought this parellel piece of, 'not so sure what.' I think it's bakelite or very hard rubber; and now I am unsure what to do- oh well.

Even if you are not sure at the time what to do with something (lol, err- or what it is), you bought it because you liked it; no worries, you will find a use- even if it's giving it away to someone with that same feeling. Maybe they will have better luck, or not :)

Wood is super versatile, bottles you can put things in, tiny rubber people are just fun, and every thing in between. Don't worry to much, especially when the price is right; everything here was less than $4.00 :)

Thanks for reading, Jonathan

Art Materials (Stuff #2)

2011-03-20T16:27:00.000-07:00

Hello Reader,

This is a continuation of sorts from the original Art Materials (Stuff), I again visited Laura Stanziola's place just outside Santa fe; a lot less stressful the second time around. Oh, and I was still able to leave with a bag full of oddities; even with a budget.

If you missed the first post on, Art Materials (Stuff) don't forget to take a look; also check out Art Materials Reduce, Reuse, and Recycle.

One of the many abundant things you can find for creating your art, are images cut from old books. Don't worry, from what I understand these books have moved past there life as a book and have found new value.

Many images are very old and you practically get a genuine print. You can sort through hundreds of images organized in bins of animals, the human body, etcetera. Each is sealed and labeled in a plastic sleeve that can be removed later; as well as some organized into small bags of similar images (LOL, It helps to look at what's in the bag first). The trick is not to go looking for anything specific, at Stanziola's or anywhere for that matter, rather go looking with an open mind and seek out your general interests.

Also (like I said) it doesn't hurt to look in the bag first. The little man labeled Fig. 1. was on top- and what I wanted; however, later by surprise I remembered that I had not looked at it's full content, and ended up with an interesting combo.

To conclude: a word of caution when using images from books: always be sure of copyright protections, there are many ways to use imagery that are both copyrighted and not. So, remember- instead of passing by old books that seem to be missing half there text block or completely irreparable or otherwise trash- take a look and reuse what you can before discarding. And next time I hope to post Art Materials (Stuff 3)

Thanks for reading,
Jonathan

Where the heck! am I?

2011-02-01T22:49:00.000-08:00

Howdy all,

As you may have noticed I have not posted recently. This doesn't mean I have gone away or won't/don't have any ideas; just, a lot of stuff going on. I am glad to see that I am still getting visitors (thank you); I think it helped to add pics. But new things on the horizon- hopefully new thoughts, products, suggestions, and of course opinions-- soon; or as soon as possible.

Thank you readers
Sincerely,
Jonathan Parks

Art Materials (Encaustic- Back to Photography)

2010-11-01T23:22:00.000-07:00

Hello Reader,

A friend of mine found an article written on encaustic and photography and it lead me to think: their is a lot of interest out there on this subject, but it is often riddled with ill advised, incorrect, or misleading information. Unbeknownst my friend and many others, those aforementioned issues often lead to frustrations in the studio; or at least waisted art supplies. Never-the-less, I still like to read these articles in order to point out those issues, either to those who published the article in the first place, or at least to those interested in the process. If you trust your source, then the you can trust that the information is correct; but, if you are unsure about the info, it never hurts to get a second opinion.

I will also comment that some of the inconsistencies/misinformation may be that the articles are limited to how much information they can offer and thus edited down to fit the perimeters of the publisher. Whatever the case may be; I will reiterate, it is important to do your research and look at multiple resources. These types of articles, if anything, do peak the reader's interest in a subject less known. As for the specific article I am speaking of read it from Freestyle Photographic Supplies on Photography and Encastic and for more information on encaustic and photography read my posts on: Fusing Photographs and Inkjet (Supplement to Fusing Photographs). Later I would like to add some tips on types of cameras to use; because, that is what we all have to begin with.

Thank you for reading,
Jonathan Parks

P.S. What to look for in camera options- the basics.

SLR
Single Lens Reflex, I am talking about your classic options here; this is real film. First off, real film offers much that digital still hopes for; even those super high mega pixel digital SLR cameras. Second, you can always scan your film and retain some of the film like qualities, such as high speed film's grainy attributes. Third, pick a good camera to suite your needs; that doesn't mean you have to spend a lot of money. The Olympus OM1 (pictured above) is ridiculously cheap these days, and in my opinion one of the great SLR's. It is lightweight, compact, huge range of lenses and accessories, along with dozens of other reasons. Of course like anything, there is something better (or different); like the Nikon F2 series (one pictured here). Considered a classic and even a collectors item to some, it still holds it ground on the market- so to speak. What makes it nice: interchangeable viewfinders for one. It is big and it is heavy, sometimes a good thing; think of binoculars, heavier binoculars offer more balance than small ones when your hands are shaky. But wait, their is even better; here are a few: a lieca, medium format, or rangefinder- many options if your willing to pay and to go the long yard.

Digital
Digital does offer convenience, you don't have film (rather a memory card), you don't have to scan negatives, you can edit you images fast because you can skip the steps of developing. But encaustic requires real paper and it is always exciting to go completely traditional- but if you are like me buy them both- you cant lose.

Hello Everybody!

2010-10-25T21:18:00.000-07:00

It has been a while since my last update; things have been busy to say the least. Got back from Taos, where New Mexico's Americorps launched this year; if you are wondering- the launch was just a formal matter. Anyhoo, here are some pics from that trip- enjoy, and if you have any long awaited curiosities about any art supplies or encaustic questions go ahead and ask. Otherwise I am working on a few.

Enjoy the pics
Jonathan Parks

Will Be Back Soon

2010-09-11T11:05:00.000-07:00

Hey folks,

Sorry, I have been in meetings and trainings for this 2nd year. I will be back soon; so stay tuned.

Sincerely,
Jonathan Parks

?

2010-09-02T19:38:00.001-07:00

I am thinking.

Random Ramblings (Echo Amphitheater, Abiquiu NM)

2010-08-24T16:37:00.000-07:00

Art Materials (Encaustic)

2010-08-22T17:51:00.000-07:00

I wanted to take a moment and mention R&F's relatively new 40 ml blocks of encaustic paint. Compared to their 140 ml and 333 ml the price sometimes seems more accessible; however, don't be fooled- like most things in life bulk costs less.

Regardless of the price, the smaller blocks can be helpful- especially if you only use a specific color every once in a blue moon. For example, I have had the same lump of red for about seven or eight years, if only they had these darn things then. Well they have them now, so if your not sure about a color buy small; however, if you are sure buy bulk. I just hope this isn't going to lead to higher costs in pre-made encaustic paint; if so, there is always making ones own.

Thanks for Reading
Jonathan Parks

Also read Art Materials (R&F Handmade Paints, "Encaustic Compatible")

Art Materials (Sanding)

2010-08-15T19:01:00.000-07:00

Hey Readers,

Sand paper, emery cloth, sanding sponge, mica, silica, which one-what one. Sand paper is a pretty familiar item, but there is more than meets the eye. First, standard sandpaper (I don't even know why they still make it), basically what you call it- sand on paper; but, don't get fooled- they often call the other stuff sandpaper too.

So, to make this easy- buy the emery cloth, or sand wet, or typically the black sandpaper. Emery and the black stuff are recommended; but with caution (the black stuff can kinda stain when you use it wet). Emery cloth is just like it sounds- something on cloth-- a.k.a. the black stuff on a tough cloth material- it simply lasts longer.

Additionally, there are sanding sponges: I love these things- different grits, easy to hold, last (as long as you sand away from corner and areas that would otherwise tear the sponge), and you can wash them off.

I'll update this with brands and whatever else comes to mind a bit later.
So thanks for reading,
Jonathan Parks

Art Materials (Sakura: Pigma Micron Pens)

2010-08-14T00:24:00.000-07:00

Hello Readers,

Pigma Micron Pens made by Sakura- ultra-fine point to brush-like. These things have been in my entourage of drawing materials for as long as I can remember. With years of use I have personally witnessed the effects of time with them, and I have to say: are my most used and favorite materials. I particularly lean towards the ultra fine point ones over the brush like pens because I have found the brush points have a streaky look when areas are colored in; not to say that the fine ones don't- just that they are less noticeable.

Well, if you haven't used them, then buy one. And a couple of friendly tips: the points bend easy (they don't need a lot of pressure to draw a line) and don't write over white-out or waxy like surfaces because it can and most likely will clog it permanently.

As always- thanks for reading

Jonathan Parks

Art Materials (Alvin Art Envelope)

2010-08-03T20:13:00.000-07:00

Hello Reader,

Last time it was Bainbidge Pre-Cut Museum Mats; which brings me to this round- the Alvin Art Envelope. Clear quality presentation, I specifically use this product for those aforementioned mats.

This envelope keeps artwork clean and protected without framing; but, don't buy it if your looking for something that is airtight or completely seals. However, do keep in mind that a flap (typically on the short side) folds under. And it fits perfectly for those things made for the size indicated; just a little bigger to hold that specific size.

Thanks for reading
Jonathan Parks

WHAT IS MISSING?

2010-07-26T22:21:00.000-07:00

Hello Reader,

This has been on my to post list for awhile: Maya Lin's, WHAT IS MISSING?

Take a look
Jonathan Parks

Art Materials (Nielsen Bainbidge, Archival Museum Quality Mats)

2010-07-24T16:53:00.000-07:00

Hello Reader,

This post involves presentation, important to any emerging or professional artist. Mat board is often part of this process and is often neglected; it is no wonder, considering the cost of professional boards and tools. Pre-cut or cut your own- you pay out your nose either way; also you do not want to forget the mounting board.

This has been on my list for a while now and it could be a long drug out topic; don't get me started on colored mats. I have been using Bainbidge Pre-Cut Museum Mats for several years and I like the 8-ply thick 11 x 14's for 5 x 7 prints because they fit Moleskine's watercolor tear-out pages fairly well. Archival, that is important- which they are, and they come in more sizes than what I mentioned.

Thanks for readin'
Jonathan Parks

Art Materials (Recap: Top Four Favorites)

2010-07-17T13:36:00.000-07:00

Hi Reader,

I thought I might recap my top four favorite art materials in case anyone missed out or is new.

Caran d'Ache for their Neocolor II pastels.
website / my post

Rite in the Rain for their waterproof notebooks; particularly the one for birds.

website / my post

R&F Handmade Paints for encaustic paint.

website / my post

Lana for their 300 lb watercolor paper; good for more than watercolor.

website / my post

Thanks for reading and voting

Jonathan Parks

For the birds (International Bird Rescue Research Center, IBRRC)

2010-07-17T11:56:00.000-07:00

IBRRC's bloggreat free widgetsWidgetboxMore info

Art Materials (Arrow Professional Fastening)

2010-07-10T20:26:00.000-07:00

Hello Reader,

Getting back to featuring Art Materials with a staple gun. If you will, or have built your own support, canvas or doohickey, chances are this product will become a major factor. A good staple gun can go a long way and it matters what you buy; read further to learn more.

I have used Arrow's products for a long time and it was one of the first tools that I had ever purchased. I even got in a little trouble for telling a professor how to use it (and yes the person was using it wrong). The reason I like Arrow is it's durability and all metal construction; you can also buy replacement parts. Its not that other brands are bad or anything- I just know for a fact that this one will last.

Oh, and this is the tip that got me in trouble: To get proper insertion of the staple every time, slightly tilt the staple guns forward lifting the back end just a little off the surface, putting pressure on the front where the staple exits. If you still get throw back and a slightly raised staple, use your other hand to put more pressure on the head/front by placing your palm on the top, towards the head of the the staple gun.

Thanks for reading and have fun stapling
Jonathan Parks

PS. If you haven't voted/rated Encaustic Tools and Technique, there is still time (Click here to rate) its much appreciated.

Valles Caldera

2010-07-04T21:32:00.000-07:00

A recent visit to the Caldera.
http://www.vallescaldera.gov/
http://vallescaldera.com/

Art Materials (Pigments)

2010-06-29T14:22:00.000-07:00

Hello Reader,

In continuation, I received my Earth Pigments order rather quickly (I live just one state away) - I can honestly say I have no complaints. Also, you may have noticed it has been longer than usual since the last post, but I didn't want to bore you with useless info. I thought, better yet, I should use what I ordered and then write.

More than often common sense should tell us that adding a pigment to a medium is going to change its richness and darken that pigment; various mediums will offer differing results. Encaustic is no different and is reminiscent of how much rain changes the depth of colors in the southwestern landscape. I am only mentioning this as a friendly reminder when ordering pigments that unless the seller/distributer relays some kind of visual information on how much their pigments will change when combined with a medium, you must make the educated guess to what it might look like. A few tips on pigments are listed below.

*Remember that the medium will change the richness/darkness of the pigment; think about how things look wet.
*Measure by weight not volume when possible, pigment can settle or become compact among other things and it is difficult to correctly measure by volume; weighing will give you exactly what you need to be successful.
*Ventilate and wear a dust mask or respirator when working with pigments; many pigment are inert (basically like dirt), but others like cobalts and cadmiums can make you sick when improperly handled.
*Encaustic also has a few non compatible pigments be sure with any medium that it is compatible- usually the distributor will tell you what is and isn't (Read more about encaustic and Pigments).

Art Materials (Pigments)

2010-06-13T22:55:00.000-07:00

Hi Reader,

I made a recent order from The Earth Pigments Company where I purchased (obviously) pigments. I have kept my eyes out on new ways to improve upon this subject; however, it would seem that I am improving upon a lot of subjects lately. I also don't want to get to far off the subject of encaustic; outside of the brief Art Materials posts and the random ramblings on my homepage on the environment and birds. Anyhoo, pigments are important and from what I gather are important to a lot of folks who would like to learn more.

The Earth Pigments Company looks to be one of the easier sites I have visited. Although they do not offer a huge line of colors (many earth tones), they do offer MSDS (Material Safety Data Sheet) on each of their pigments. They also have other info such as recipes and instructions; however, I would like to see them fix their recipe for encaustic- to much temper (if you get my meaning).

Thanks for reading
Jonathan Parks

P.S. I will let you know more when I get them.

Art Materials (Bacteria Fighting Pencils?)

2010-06-03T21:22:00.000-07:00

Hey folks,

I was planning on writing about Koh-I-Noor woodless colored pencils; however, perusing their website I found this, http://www.koh-i-noor.cz/stopbacteria/en/introduction. What an idea, since I work somewhere that drool and pencils sometimes gos hand-in-hand, this seems quite amazing.

Needless to say, check it out, and while your at it- look at their woodless pencils.

Thanks for reading
Jonathan Parks

Louise Bourgeois

2010-05-31T22:08:00.000-07:00

From the NY Times: Louise Bourgeois, the French-born American artist who gained fame only late in a long career, when her psychologically charged abstract sculptures, drawings and prints had a galvanizing effect on the work of younger artists, particularly women, died on Monday in Manhattan, where she lived. She was 98. read more.

Art Materials (Hard at Work with Encaustic)

2010-05-31T17:17:00.000-07:00

Hi visitor,

I have been hard at work adding photos to my Encaustic Resource Pages- so needless to say I have not had much time to write on Art Materials. BUT, I have added a few brands to my list- so in the meantime, look at those links and I hope to write about them soon.

Thanks fur readin'
Jonathan Parks

Art Materials (Encaustic)

2010-05-19T21:07:00.000-07:00

Hello Reader,

This week I am making this post extremely short because I am hard at work taking photos of tools and techniques for the Encaustic Resource. If you work with encaustic, are starting out, or are simply curious-stay tuned. I am also doing my best to update and share on social networking sites such as Facebook (http://www.facebook.com/parksartworks) twitter (https://twitter.com/#!/ParksArtworks) so check that out too.

Thanks for Reading and Following
Jonathan Parks

Sharpe's Longclaw

2010-05-13T18:00:00.000-07:00

Hello Reader,

I would like to take a moment and share a link in support of a worthy cause. Visit 10,000 Birds to read about the efforts to save Sharpe's Longclaw. I particularly like supporting that which supports one of my favorite subjects (birds); and even though I can not at present financially support such an effort- just simply sharing this info goes a long way.

As alway thank you for reading

Jonathan Parks

Jasper Johns Encaustic Flag Painting

2010-05-12T21:16:00.000-07:00

Sold for 28.6 million dollars, nice to see encaustic get so much attention, and of course it doesn't hurt to be a painting by Jasper Johns.

Americorps week

2010-05-11T21:56:00.000-07:00

The Encaustic is Coming!

2010-05-07T16:00:00.000-07:00

The Encaustic is Coming! The Encaustic is Coming! The Encaustic is Coming!.......Ok, it came.

Hey encaustic painters- or interested parties,

It has been a little while since I've been able to paint (encaustic of course), with moving around and all that crud; but now its here (insert diabolical voice). So, what does this mean? Well first off I will finally be getting around to adding those much needed photos to my Encaustic Resource Pages AND I am thinking about some video tutorials (we'll see) BUT most of all- painting.

Tune in and thanks for visiting,

Jonathan Parks

Art Materials (Encaustic Safety Precautions)

2010-05-02T14:11:00.000-07:00

Hi Visitors,

I made an extensive update to my encaustic Tools and Techniques page concerning safety. Check it on on my Encaustic Resource Pages or follow this link: http://parksartworkstoolstechnique.blogspot.com/2009/04/safety-precautions.html

Thanks for reading
Joanthan Parks

Art Materials (Manfrotto)

2010-04-25T09:37:00.000-07:00

Hello All,

I want to take a moment and talk about support, tripods and monopods to be more specific, and it is Manfrotto's turn in my list art materials. It is important to have a sturdy support for many reasons; from photographing wildlife to shooting slides. I have continued to use their products for the past ten years; a tripod setup for shooting slides of my artwork and a monopod for when I go on a hike. Yes there are other brands of camera supports (Gitzo for one) that will do the job, but for price and quality, Manfrotto is hard not to pick.

How much should you plan to spend on a setup? Well a tripod will cost you about $175 - $225, and the head to go with it could cost anywhere from $30 - $200. Prices can go higher or lower depending on where and what you buy, but you get what you pay for. To give you an idea- the grip action ball head I use for my monopod cost around $80 on sale (runs about $100).

Thanks for reading, and remember if you have any questions don't hesitate to ask.
Jonathan Parks
http://www.manfrotto.com/
http://www.manfrotto.us/
http://www.gitzo.com/

Art Materials (Recycle) "Encaustic Compatible and Noted"

2010-04-19T10:26:00.000-07:00

Encaustic Compatible and Noted

Hi Everyone,

Recyling isn't always about throwing things in the bin. Recycling often takes on the definition for reuse; glass bottles are a good example. The double-well bottle (my favorite) is the perfect container for watercolor; clean water in one, and dirty in the other.

Before you decide its time to throw something in that bin, think about what you might be able to do with it. Recycling isn't a perfect science anyways. Some things reycle easily while others take more effort. Thinking about it another way might just be better for everyone and the environment.

Here are a few ideas for recycling: Of course, buy bulk whenever possible. Look at how something is packaged; can you reuse the packaging. Don't dump paint and chemicals down the drain; there are ways to properly dispose of waste; check with your local recycling facilities. And if you reduce and reuse- you may not need to recycle much, or anything at all.

Those of you working in encaustic: scrape up the paint that drips all around your painting; waste not, want not (Even if the colors are all mixed up, melting it down will usually give you a funny grayish purple; and you can at least use it for a base coat when building layers). If you reuse items for palette cups (or the palette) make sure that they are stainless steel or at least lead and iron free.

Thanks for reading
Jonathan Parks

Art Materials (Reuse) "Encaustic Compatible and Noted"

2010-04-12T21:52:00.000-07:00

Encaustic Compatible and Noted

I recently made a post titled, "STUFF," and spoke about the things that I will be reusing. Stuff is important to many artist; and if you make mixed media art, you know what I am talking about. Reuse speaks for itself and there isn't much to add (Read, STUFF).If you work with encaustic- embedding is one thing that comes to mind (Read, Encaustic Resource Pages: Collage and Embedding under Tools and Technique).

Artists also reuse material by making Found Object, Construction, Assemblage, Recycled, Upcycle, types of work. Whatever you call it, it helps to keep STUFF out of our ecosystem and the strain off overworked recycling facilities.

My personal art tends to have reused material in it quite often. I choose to hide the fact that it may be one mans trash; reusing these treasures in a way that serves my concept without looking like the obvious.

Here are a couple of reuse tips: Use old picture frames. A pencil is more than a writing instrument- dowel rod anyone. Scraps of paper can turn translucent in wax- encasutic is great to embed anything from wooden sticks to paper bits.

Thank you for reading,

Jonathan Parks

Art Materials (Reduce) "Encaustic Noted"

2010-04-12T18:54:00.001-07:00

Encaustic Noted

This post goes for anything (paint, wood, metal, clay, encaustic, et cetera.), try to use only what you need. Not only will it save you money in the long run, but it will keep waste out of our ecosystem.

Here are a couple of tips to reduce: Don't squeeze your watercolor paint out into a palette. Take care of your brushes (Encaustic folks should have a brush for each color). Buy bulk when you can; it means less packaging. And make sure you can recycle the packaging. Pay attention to sustainable practices; Strathmore for example has wind powered products. And make your art is archival; otherwise your work may end up in the dump.

Earth Day

2010-04-11T09:03:00.000-07:00

Earth Day is April 22th- How does your art impact the environment?

I am an artist and naturalist, I struggle to find the path to environmentally safe art. Practically every medium has its environmental downfalls; choosing one medium over the other seems pointless to some degree when considering these concerns. There are ways to lessen the impact; however, these often require financial means that are out of reach for many artists. So, what to do? The next few posts I will be focusing on this conundrum while talking a little about my own work.

Tune in and Thank you for reading
Jonathan Parks
http://www.earthday.org/

Art Materials (Evans Encaustics, "Encaustic Compatible")

2010-04-06T21:56:00.000-07:00

Encaustic Compatible

Hello encaustic friends and interested parties,

How many encaustic makers/companies are out there? Small ones, big ones, artists trying to earn a few extra bucks making paint? If you live more east coast you might be more inclined to order from R&F, but if you're living westward there is a closer option. I came across Evans Encaustics a few-or-so years back and liked this small company (I like small companies). Anyway, give them a whirl; I particularly like the bisque gray color. They also have a nice looking website.

Thank you for reading
Jonathan Parks
http://www.evansencaustics.com/

Art Materials (STUFF)

2010-03-30T13:27:00.000-07:00

Hello Readers,

Where on earth can you find a rubber kidney, a big domino, an old view camera film carrier, game pieces, wood pieces, metal pieces, glass, ephemera, antique like what-not, and a tin wind-up chicken all in the same place? Well first off you may not actually find those things in that combination since I already did; but, you may find something even better or in a stranger combination.

I wanted to take a short detour from my usual type of art materials post and focus on what I think of as, "what else," is art material. Recently I went on a short jaunt from ABQ to Santa Fe in search of who-knows-what and found it/some/stuff. Expectations where high and low and what I learned prior to visiting filled my brain with ideas and things to buy.

Recycled, upcyced- whatever you want to call it- there is a lot of stuff out there to make, include in, or just inspire your artwork. All the, "stuff," I got came from an artist; Laura Stanziola. Just outside Santa Fe is where she made her home into what looks like a overwhelming well organized store/residence. Inside this store I found many wonderful things, and many things I did not buy- for I had a budget. Gratefully the prices of these many odd things were not excessive, and for the most part surprisingly inexpensive.

Rubber kidney, rubber intestines, and a rubber heart all 35 cents each. Various game pieces for just pocket change. 75 cents for twin wooden sticks- I thought the price could have been a quarter cheaper but I really liked them. Film carrier- so many ideas. Old marbled paper. A Ceder box. And of course the wind-up chicken.

All right the chicken isn't art material; I just wanted it. Besides that, imagine everything that I can make using a rubber kidney.

Thanks for reading,
Jonathan Parks

Art Materials (Enkaustikos Hot Cakes, "Encaustic Compatible")

2010-03-24T15:25:00.000-07:00

Encaustic Compatible (DUH:)
Hello Folks,

As planned, Hot Cakes at fineartstore. This will be brief for I do not use Hot Cakes or much pre-made encaustic any more. I have occasionally used them in the past and they do have the convience factor going with their included palette cup; but, if you make your own paint or your short on cash, they probably aren't your cup of tea (or cup of encaustic). Outside of the price I do not have anything bad to say about them, and if you can get them on sale- go for it.

Thanks for Reading (Next time, Evans Encaustics)
Jonathan Parks
http://www.evansencaustics.com/
http://www.fineartstore.com/

Art Materials (R&F Handmade Paints, "Encaustic Compatible")

2010-03-13T21:01:00.000-08:00

Encaustic Compatible (DUH!:)
Hello All,

R&F, what can I say? If you have any experience or interest in encaustic, two to one, you are or will become aware of them. Pretty much the source for encaustic, but they also make some pretty sweet oil like bar- pigment sticks, supplier of tools, advice, and whatnots. Aside from what might seem to be or easily could be a encaustic monopoly, R&F is a bevy of information packed into a decent supplier of what you need to tackle this medium.

Choosing a medium to best express yourself and your work is hard enough, then you have to figure out what brand and everything else that goes along with these two things. R&F has around eighty colors in 104 and 333 milliliter blocks. As with most paints that have colors in series which differ in price, R&F's encaustics are also priced according to pigments. Needless to say if you are an artist on a budget, you can always stick to those less expensive colors. If you need additives such as damar, caranuba, or more beeswax you can get those too; which is great if you want to make your own paint.

As for their pigment sticks, these are great to use by themselves or in combination with encaustic (Click here for tips on pigment sticks). The difference in R&F's pigment sticks and other oil bars like Sennelier is that they have a higher pigment concentration and less fillers. Not that I find anything wrong with Sennelier, they are simply different.

If I have any complaints about R&F they are very minuscule, like most places there is an occasional product that seems overpriced, but that it is all made up with service and quality of their products.

As always, Thanks for Reading (Next time Hot Cakes)

Jonathan Parks

http://www.rfpaints.com/

http://www.sennelier.fr/en/home.php

http://parksartworkstoolstechnique.blogspot.com/2008/11/paintpigment-sticks.html

Art Materials (Encaustic Compatible)

2010-03-08T19:06:00.000-08:00

"Encasutic Compatible"
Hey folks,

I would like to take the next couple of posts and get back to encaustic- so I'm going to be writing about a few places you can get your supplies and other stuff along with my own experiences with them. Tune in soon for R&F Encaustic Paints.

Thanks for reading.
Jonathan Parks
http://www.rfpaints.com/

Art Materials (Sketch Book Finale: Lanaquarella, Encaustic Compatible)

2010-02-28T13:40:00.000-08:00

"Encaustic Compatible"
Hello all,

My finale in sketch books will be in making your own, and in making your own you will need quality paper. It would take forever to delve into the many intricacies of book making and paper, so instead I present a quick synopsis. In binding you can not lose with the traditional Japanese stab binding. And depending on your technique and/or medium, your choice in paper changes. When it comes to making a good sketch book I believe you can not lose with watercolor paper. Watercolor paper can be very different when it comes to brands, weights, or types and offers the ability of various mediums from gouache to pencil. If you only use pencil and maybe very light painting you can easily get away with a lower weight paper, 140 lb (300 gsm), but, if you can't stand the warping, wrinkling, and indentations that are accustomed to lighter paper, I would recommend 300 lb (640 gsm) paper. This finally brings me to Lana, a top pick for paper, sure other companies make great paper (Fabriano, Arches, Strathmore, etc.), but we all have our favorites and Lana is is one of mine.

So give Lana a try, I don't believe you will be disappointed.
For info on paper suitable for encaustic go to Watercolor Paper

Always, Thank you for reading,
Jonathan Parks
http://www.lanapapier.fr/
http://www.cartieremilianifabriano.com/
http://www.arches-papers.com/fr/
http://www.strathmoreartist.com/
http://parksartworkstoolstechnique.blogspot.com/2008/11/watercolor-paper.html

Art Materials (Strathmore Artist Papers)

2010-02-20T18:14:00.000-08:00

Hi everyone,

Continuing on with sketch books- I thought of mentioning one of my favorites- Strathmore 400 series. Ok, I know this really isn't a sketch book; however, some of us don't use sketch books or even, "sketch." So for those of you looking for a drawing paper of various size, etcetera: I particularly like this series because of its cream color. But if your not into the cream color and prefer white, Strathmore make pretty decent paper all around. You should also check out the wind powered series.

Thanks for reading
Jonathan Parks
http://www.strathmoreartist.com/
http://www.strathmoreartist.com/fineArt_drawing.php

Art Materials (Moleskine Watercolor Books)

2010-02-13T19:34:00.000-08:00

Hello all,

Well as promised I am continuing on with sketch books; this time Moleskine. I particularly like the large (5.25" by 8.25") watercolor notebooks with there heavywight paper perfect for painting and drawing; not to mention the simple and plain design.
-
Also you can get it with perforated pages (or not)- I have both. It comes with 30 (60 if you count both sides), 200 gsm, cotton, cold-pressed, acid-free pages.

So, check'em out
and thanks for reading
Jonathan Parks
http://www.moleskineus.com/
http://www.moleskineus.com/reporter-large-watercolor.html

Art Materials (Rite in the Rain Sketch Book)

2010-02-06T19:24:00.000-08:00

Hey Folks,

I would like to talk a little about sketch books and particularly this time: Rite in the Rain products. Are you someone who sketches outside or travels with your sketch book? Ever worried about your notebook or sketch book getting wet? Well, Rite in the Rain has many styles of note/sketch books available. The best thing is you don't have to worry about getting them wet or even, literally working in the rain.

Unfortunately I don't believe you will be able to paint watercolor on this paper, but if you only use pencil- you can't beat it.

Next to come- more on sketch books/papers.

Always, thank you for reading

Jonathan Parks

http://www.riteintherain.com/

Art Materials (Lineco Neutral pH Adhesive)

2010-01-27T21:08:00.000-08:00

Hello All,

It has been awhile since my last Art Materials post- so, for the first week back I thought I would keep it short and share a product from Lineco. I have been using Lineco's neutral pH adhesive for awhile and I have found that it is quite reliable, much like other products they make. So if your not sure about archival polyvinyl acetate (PVA), try Lineco.

Thank you for reading.

Jonathan Parks

http://www.lineco.com/

Art Materials (Hydrus Fine Art Watercolor)

2009-09-12T20:12:00.000-07:00

Hi All,

This week I'm jumping back to watercolor with, "Hydrus Fine Art Watercolors," from Dr. Ph. Martins. A liquid form that is highly concentrated, lightfast, and in thirty-six colors; convenient for those who like watercolor but don't need a hundred different colors. Links found below.

Thanks for reading,

Jonathan Parks

http://www.docmartins.com/

Art Materials (Speedball, "Encaustic Compatible")

2009-09-05T21:32:00.000-07:00

"Encaustic Compatible"

Sorry folks, I started a new job so it may be a little chaotic for awhile, BUT, I wanted to mention Speedball. They make a variety of tools that can be utilized for encaustic and a lot of other useful material; so check them out.

Thanks for reading,

Jonathan Parks

http://www.speedballart.com/

Art Materials (Watermedia)

2009-08-27T21:23:00.000-07:00

Previously I said that I would elaborate on watermedia; the reason for which the last post was featuring Lyra. Watercolor, or water media is often my backup medium. This is not to say that it is of less value. Unlike watercolor, other media such as encaustic or oil are prone to bulky or awkward requirements. But I won't get into that. There are many options for watermedia: pencils, inks, liquid paint, solid dry paint, wax based, straight pigments, soft pastels, gouache; not to mention all the brushes and palettes to choose from, the list is endless. However, I am a firm believer in simplifying things; you don't need all that fancy stuff, dozens of brushes, or elaborate travel sets. I would also like to mention watercolor is not to be taken for granted; it is a difficult medium to master- the trick is not to get caught up in all the fancy techniques or the endless supplies.

Brushes- you really only need a few small ones for any details, and a couple of bigger brushes to do a wash (unless you are painting really big). For the washes, a nice large and medium hake will do just fine- they are cheap and easy to find from any major art supplier. As for the small brushes, you really can't skimp on quality, sable is probably your best choice, but that doesn't mean you have to pay out the nose- Blick artist material makes a fine set of inexpensive sable brushes, as do many other companies.

Palettes- while working at home or in your studio- a large ceramic WHITE bowl is great to have, as well as a few small dishes for your paint (as many as you feel you need at one time). Squeezing out all the liquid watercolor into a palette for it to dry up, defeats the purpose of it being liquid in the first place; of course someone might argue that some companies make palettes specifically designed to keep your paint fresh- really not necessary. If you want dry paint, buy dry, otherwise keep it in the tube unless you need it. If you are on the move, traveling, or just working outdoors, then you really only need a small jar (use the paint right from the tube, off of the pencil or crayon. I've been using a Script brand glass ink jar that was designed with a divided well inside (as to where to get one: I bought mine from a junk store- it is about 15-20 years old, I'm guessing)

I could go on forever, but..... I will probably just feature some of those items later. If your curious about something particular, it never hurts to ask, and maybe I will talk about that next time.

Have fun, and thanks for reading,

Jonathan Parks

Painting: "water" by Jonathan David Parks

Art Materials (Lyra, "Encaustic Compatible")

2009-08-26T22:38:00.000-07:00

"Encaustic Compatible"

This week I would like to introduce Lyra (see link), predominately a pencil manufacturer. Lyra makes anything from makeup pencils to encaustic crayons. If it were not for their long history I would be wary; however, many of their products I would recommend from watercolor pencils to just your basic graphite.

Thanks for reading.

More to come later.

Jonathan Parks

http://www.lyra.de/index_pc.html

Art Materials (Caran d'Ache Neocolor II, Water-soluble Pastels)

2009-08-19T15:59:00.000-07:00

This week I wanted to switch gears and take a look at watermedia; which brings me to one of my favorite art supplies to come around in some time- Caran d'Ache Neocolor II, Water-soluble Pastels. Found under, "children," supplies on Caran d'Ache's website (links found at the bottom of this post), this is a great item for those who paint outdoors and travel a lot. They are in a compact dry stick form, opposed to a tube product; in addition and for those who work small, they seem to last forever. I have been using this particular product for three to four years and I still have the same tin with all the colors (Take a look at my paintings of waterfowl on my Current Work page found under my links to see an example).

Thanks again for reading and don't forget to tune in for further info on watermedia.

Jonathan Parks

http://www.carandache.ch/

http://www.carandache.ch/m/la-couleur/enfants/les-pastels/neocolor-ii/index.lbl

Art Materials (More on Pigments; Encaustic Compatible)

2009-08-19T11:35:00.000-07:00

Art Materials (Sennelier Pigments "Encaustic Compatible")

2009-08-12T21:19:00.000-07:00

Sennelier Pigments "Encaustic Compatible"

I have been using Sennelier products for some time (about ten years) and would recommend them to anyone looking for a good pigment or soft pastel, oil, egg tempera or any other one of their products (will feature later). Below is the link to the English version of their website and a pdf file of their pigment catalogue. You can easily purchase them from any major art material supplier. Those of you looking to make your own encaustic, there is a, "how to," on my Encaustic Resource Pages (How to Make Encaustic Medium and Paint).

http://www.sennelier.fr/en/home.php

http://www.sennelier.fr/en/catalogue/pigment.pdf

Art Materials

2009-08-12T20:54:00.000-07:00

Hello All,

I have been wanting to create a regular topic on art materials which I could post on a weekly or biweekly basis; particularly ones that I use, have used, and most likely will continue to use. These products may be common items or actual known brands. I will try to provide links to their websites, or where one might purchase them if and when possible. In addition, and keeping with a focus on encaustic, posts that can be used with encaustic will be labeled, "Encaustic Compatible."

Enjoy and Thank you for reading.

Jonathan Parks

Featured Art Materials

2009-08-12T19:21:00.000-07:00

Under revision. Until then, here is a general list of...

Alvin
Ampersand Art Supply
Arrow
Caran d'Ache
Dr. Ph. Martins
E C Lyons
Evans Encaustics
Gamblin Artists Colors
Golden Artist Colors
Hardboard
Hot Cakes Encaustic
Kama Pigments
Kremer Pigments
Koh-I-Noor
Lana
Lineco
Lyra
Maimeri
Manfrotto
Moleskine
Natural Pigments
Nielsen Bainbridge
Old Holland
R&F Handmade Paints
R&F
Rite in the Rain
Sakura
Sennelier
Sinopia
Speedball
Strathmore Artist Papers
STUFF (Laura Stanziola)
STUFF 2
The Earth Pigments Company
Williamsburg Paint

Legos

2009-06-02T14:10:00.000-07:00

Legos used to be a necessary part in my daily existence- this article might be interesting to you, even if they were not part of yours. "Miss Modular"

Am I an American Artist

2009-04-14T11:56:00.000-07:00

This is a question of cultural consideration and requires an understanding of what makes an American artist. Is this an ideology perceived from each individual artist or part of a conglomerate of the so called American.

Those who commented: If I am an American and an artist, therefore, I must be an American artist. Well, the devil is in the details. I suppose I should also ask if I can be culturally identified as American through my work as an artist; assuming American is a culture.

Statistically speaking, I am American, family of various cultures and nationalities long since forgotten. Considering what makes an artist American, statistics are not particularly my concern, nor do I think they should be. Perhaps I have complicated the question and/or maybe it is not up to me. Does the American artist create political, patriotic, opinionated, or nationalistic works.

I do not sway either way, patriotic or not. I do not create nationalistic works. My art is not imbued with apparent political substance. I have opinions, but who doesn’t, and they are not stereotypically, American. So, what makes my art American. Freedom to not paint the aforesaid. Subjectively instilling my art with images of flora and fauna from the North American Continent.

I have more on this subject, however, I would like to see if it gets any type response before I further elaborate.

My Wife is Graduating!

2009-04-08T11:45:00.000-07:00

Sonya's (and others) "Graduate Art Therapy Art Exhibition" on Saturday, April 18 at 6:00pm.

Event: Graduate Art Therapy Art Exhibition
What: Opening
Host: Sonya Briones-Parks, Mt Mary College Art Gallery
Start Time: Saturday, April 18 at 6:00pm
End Time: Saturday, April 18 at 9:00pm
Where: Mount Mary College

Art for Conservation

2009-03-20T11:22:00.000-07:00

Now you can make a difference through donating or purchasing.
"I donate a percentage of my profits though the purchase of my art to nature conservation. I also accept personal donations that help me create more artwork that will indirectly help in conservation efforts."
All purchases and donations are extremely appreciated; know that I promise to do my part through my work in helping conserve our environment through your generosity.
To donate go to the Donations link.
Thank you,
Jonathan Parks

Cleaning up and all that....

2009-03-12T11:10:00.000-07:00

Hello all,
I have been quite busy, lookin for work, makin art, creating an Etsy store and everything involved in that mess. Its time to clean up this joint, get more focused. I will be getting rid of things I don't find pertinent, like my photography page: I figure most of the pictures I put on there can go on my biography page anyway, and maybe I will use it for a 'how to' on photographing artwork. I've been hard at work on my book, and other paintings, but I'll try to get back on here and make some updates on the encaustic pages.

thanks for reading.

Hmmm, I'll look at this myself soon.

2009-01-28T09:51:00.000-08:00

An artist career guide, is that possible? Will I learn anything new? Or is this just the same stuff as a hundred other places? http://www.artistcareerguide.com/book.php

Don't know, haven't looked at it yet. I will let ya know.
IF I CAN FIND THE BLASTED THING.

R&F Biennial show

2008-10-21T11:34:00.000-07:00

The Seventh annual biennial show for R&F paints. Deadline is January 15, 2009.
http://www.rfpaints.com/encausticworksentryfee.htm

The Artist Workshop, et cetera.

2008-07-30T10:57:00.000-07:00

Workshops, social networking and information resource, or financial opportunity hidden beneath a veil? Workshops are given for all sorts of reasons, but I am particularly discussing those within the arts. For example a workshop was given on encaustic in Chicago by R&F Paints: I would have gone, and most likely enjoyed it, but unfortunately my career choice does not allow for me to spend money; need I say- starving artist.

As informative and wonderful, workshops might be- they seem often only open to the financially sound artist. Sure, I'm not saying that you won't be getting your monies worth, just that how can you expect to get a diverse group of individuals together without considering the diversity of your public; including financial diversity- which often includes underrepresented individuals of all kind? How can you get into these workshops, groups, organizations, etcetera- that would propagate social networking, particularly when you don't have financial stability? Are some of these places just ruses to financially benefit themselves?

Me and the Encaustic Boom

2008-04-30T14:14:00.000-07:00

Over the past seven years working extensively with encaustic (the past ten as a painter, and as far back as I can remember: an artist), I have been witness to an explosion of artists and resources devoted to the wax medium. However great the onslaught of this boom is, it is not without cheap tricks and those only cashing in (so to speak) on encaustic’s unique qualities.

When I first started working with encaustic it was hard to find those artists and resources. Even at the time, I had a professor teaching her students encaustic; Marilynn Derwenskus http://web.bsu.edu/cfa/artfaculty/md/- she was a great inspiration and resource. Nowadays it has become a flood. With a flood it often brings garbage (lets call it debris, it’s not as harsh)…..and with a flood it often brings debris left in its wake. Truthfully if you look amongst all of this debris you might find something useful there and here. And things will miraculously survive (these survivors are the inarguable pillars/giants/artists; those who have poured heart and soul, those having strong foundations built high above the flood plain; e.g. Jasper Johns/the recognizable). Now the challenge or trick is to sort through all the pieces to find what is good.

Me: This piece of art is debris; it’s nothing but fanciful texture- tricks, it has no soul.

Friend: This one too, nothing but technique, technique, TECHNIQUE.

Me: We’ll never find anything.

Encaustic Boom: I found some!

Me and Friend: Shut up! That’s debris.

Friend: How will we know when we have something more?

Me: You just will. It’s like when those artists saw the sublime qualities of unspoiled country hundreds of years ago and painted the great American landscape; they were in ah.

Friend: Does that even exist anymore? And are we (people) even smart enough to recognize it?

Me: I found one!

Friend: Ooooo! Ahhh!

Anyway, as for artists such as myself it is becoming ever more difficult to sift and (this is the big one) be sifted from the “debris.” Sure, everything seems to have debris; however, encaustics new infancy has grown into an obnoxious teenager; a bastard in a basket (Sorry I just saw the movie “There Will Be Blood”). Debris is everywhere, it stinks, and it’s covered in mud, dirt and grime. OK, I admit that was a little harsh. There is a bright side to all of this, sunshine on the horizon, it isn’t all bad. Some of us (I like to think myself included) have built themselves a canoe. Sure, a canoe isn’t a sturdy high and dry foundation but it is a good start. Those of us in are canoes could just sit around, wait to be rescued, at least we’re not part of the debris. I think I will paddle around a bit.

Encaustic isn’t that special, it is what the artist does with it that is special. Sometimes debris is just debris; stop patronizing it and recognize it for what it truly is: DEBRIS. Just because someone has the resources: time, money, and the ability to bull-shit their backyard mess onto gallery walls, into magazines, and especially online- doesn’t make them Jasper Johns.

Encaustic is special (I know I said it wasn’t) but it is to some of us, ME. I know as a medium it has its faults and I know those faults from experience. But as a naturalist I feel it is nature friendly as a medium can be. I also don’t limit myself to it (because of that is the not so special thing I sorta brought up but don’t have time to get deeply into). I also don’t limit myself to it because it strength are in its flexibilities. I have to educate myself on ways to apply it to the many modes of expression I seek.

As for hopes of being sifted I have or am in the process of building this canoe (a website/blog http://parksartworks.blogspot.com/) take a look, let me know what you think, I am updating it as fast as a person can.

The Marine Stewardship Council (MSC)

2008-04-24T12:23:00.000-07:00

Along with Bird Friendly®, Northwest Shade Coffee Campaign, and many others, you can also help the birds by eating fish with the Marine Stewardship Council (MSC) label. Click on the image to learn more.

Migration Time

2008-04-10T14:31:00.000-07:00

Well it’s that time of year; birds of all kind are visiting along the shores of the great lakes region. I have been out shooting photographs, sketching notes, or just plain observing. It’s great for me because I have a lot of time on my hands, unemployment D ; well I guess it depends on how you look at it. On the other hand, I have been getting a lot of illustrations done for my book on birds; consisting mainly of watercolor and ink, check some of them out on my blog http://parksartworks.blogspot.com. I have also been getting a lot of ideas for some new encaustic pieces; even though I can't paint encaustic right now. Well if you haven't already done it and you live along the lakes- or anywhere, get out there and enjoy the birds.

Bird Friendly® coffee

2008-03-24T10:26:00.000-07:00

If you would like to help the birds while drinking organically certified coffee, look for this Smithsonian Migratory Bird Center, Bird Friendly® certification label. Click on the logo to find out more.

Here is another label to look for.

Have a Question? Need Help with Encaustic?

2008-03-12T11:40:00.001-07:00

Or Make a Comment or Suggestion.

Go to ParksArtworks Page on Facebook. If you do not have a Facebook account, post your comments below the "you might also like" links.

Responses often come in the form of updates involving your detailed posts. I will review each and every one of them and make them viewable as soon as possible. Your thoughts and patience are very much appreciated.

Thank you,
Jonathan Parks