Am I an American Artist

This is a question of cultural consideration and requires an understanding of what makes an American artist. Is this an ideology perceived from each individual artist or part of a conglomerate of the so called American.

Those who commented: If I am an American and an artist, therefore, I must be an American artist. Well, the devil is in the details. I suppose I should also ask if I can be culturally identified as American through my work as an artist; assuming American is a culture.

Statistically speaking, I am American, family of various cultures and nationalities long since forgotten. Considering what makes an artist American, statistics are not particularly my concern, nor do I think they should be. Perhaps I have complicated the question and/or maybe it is not up to me. Does the American artist create political, patriotic, opinionated, or nationalistic works.

I do not sway either way, patriotic or not. I do not create nationalistic works. My art is not imbued with apparent political substance. I have opinions, but who doesn’t, and they are not stereotypically, American. So, what makes my art American. Freedom to not paint the aforesaid. Subjectively instilling my art with images of flora and fauna from the North American Continent.

I have more on this subject, however, I would like to see if it gets any type response before I further elaborate.

My Wife is Graduating!

Sonya's (and others) "Graduate Art Therapy Art Exhibition" on Saturday, April 18 at 6:00pm.

Event: Graduate Art Therapy Art Exhibition
What: Opening
Host: Sonya Briones-Parks, Mt Mary College Art Gallery
Start Time: Saturday, April 18 at 6:00pm
End Time: Saturday, April 18 at 9:00pm
Where: Mount Mary College

Art for Conservation

Now you can make a difference through donating or purchasing.
"I donate a percentage of my profits though the purchase of my art to nature conservation. I also accept personal donations that help me create more artwork that will indirectly help in conservation efforts."
All purchases and donations are extremely appreciated; know that I promise to do my part through my work in helping conserve our environment through your generosity.
To donate go to the Donations link.
Thank you,
Jonathan Parks

Cleaning up and all that....

Hello all,
I have been quite busy, lookin for work, makin art, creating an Etsy store and everything involved in that mess. Its time to clean up this joint, get more focused. I will be getting rid of things I don't find pertinent, like my photography page: I figure most of the pictures I put on there can go on my biography page anyway, and maybe I will use it for a 'how to' on photographing artwork. I've been hard at work on my book, and other paintings, but I'll try to get back on here and make some updates on the encaustic pages.

thanks for reading.

Hmmm, I'll look at this myself soon.

An artist career guide, is that possible? Will I learn anything new? Or is this just the same stuff as a hundred other places? http://www.artistcareerguide.com/book.php

Don't know, haven't looked at it yet. I will let ya know.
IF I CAN FIND THE BLASTED THING.

R&F Biennial show

The Seventh annual biennial show for R&F paints. Deadline is January 15, 2009.
http://www.rfpaints.com/encausticworksentryfee.htm

The Artist Workshop, et cetera.

Workshops, social networking and information resource, or financial opportunity hidden beneath a veil? Workshops are given for all sorts of reasons, but I am particularly discussing those within the arts. For example a workshop was given on encaustic in Chicago by R&F Paints: I would have gone, and most likely enjoyed it, but unfortunately my career choice does not allow for me to spend money; need I say- starving artist.

As informative and wonderful, workshops might be- they seem often only open to the financially sound artist. Sure, I'm not saying that you won't be getting your monies worth, just that how can you expect to get a diverse group of individuals together without considering the diversity of your public; including financial diversity- which often includes underrepresented individuals of all kind? How can you get into these workshops, groups, organizations, etcetera- that would propagate social networking, particularly when you don't have financial stability? Are some of these places just ruses to financially benefit themselves?

Me and the Encaustic Boom

Over the past seven years working extensively with encaustic (the past ten as a painter, and as far back as I can remember: an artist), I have been witness to an explosion of artists and resources devoted to the wax medium. However great the onslaught of this boom is, it is not without cheap tricks and those only cashing in (so to speak) on encaustic’s unique qualities.

When I first started working with encaustic it was hard to find those artists and resources. Even at the time, I had a professor teaching her students encaustic; Marilynn Derwenskus http://web.bsu.edu/cfa/artfaculty/md/- she was a great inspiration and resource. Nowadays it has become a flood. With a flood it often brings garbage (lets call it debris, it’s not as harsh)…..and with a flood it often brings debris left in its wake. Truthfully if you look amongst all of this debris you might find something useful there and here. And things will miraculously survive (these survivors are the inarguable pillars/giants/artists; those who have poured heart and soul, those having strong foundations built high above the flood plain; e.g. Jasper Johns/the recognizable). Now the challenge or trick is to sort through all the pieces to find what is good.

Me: This piece of art is debris; it’s nothing but fanciful texture- tricks, it has no soul.

Friend: This one too, nothing but technique, technique, TECHNIQUE.

Me: We’ll never find anything.

Encaustic Boom: I found some!

Me and Friend: Shut up! That’s debris.

Friend: How will we know when we have something more?

Me: You just will. It’s like when those artists saw the sublime qualities of unspoiled country hundreds of years ago and painted the great American landscape; they were in ah.

Friend: Does that even exist anymore? And are we (people) even smart enough to recognize it?

Me: I found one!

Friend: Ooooo! Ahhh!

Anyway, as for artists such as myself it is becoming ever more difficult to sift and (this is the big one) be sifted from the “debris.” Sure, everything seems to have debris; however, encaustics new infancy has grown into an obnoxious teenager; a bastard in a basket (Sorry I just saw the movie “There Will Be Blood”). Debris is everywhere, it stinks, and it’s covered in mud, dirt and grime. OK, I admit that was a little harsh. There is a bright side to all of this, sunshine on the horizon, it isn’t all bad. Some of us (I like to think myself included) have built themselves a canoe. Sure, a canoe isn’t a sturdy high and dry foundation but it is a good start. Those of us in are canoes could just sit around, wait to be rescued, at least we’re not part of the debris. I think I will paddle around a bit.

Encaustic isn’t that special, it is what the artist does with it that is special. Sometimes debris is just debris; stop patronizing it and recognize it for what it truly is: DEBRIS. Just because someone has the resources: time, money, and the ability to bull-shit their backyard mess onto gallery walls, into magazines, and especially online- doesn’t make them Jasper Johns.

Encaustic is special (I know I said it wasn’t) but it is to some of us, ME. I know as a medium it has its faults and I know those faults from experience. But as a naturalist I feel it is nature friendly as a medium can be. I also don’t limit myself to it (because of that is the not so special thing I sorta brought up but don’t have time to get deeply into). I also don’t limit myself to it because it strength are in its flexibilities. I have to educate myself on ways to apply it to the many modes of expression I seek.

As for hopes of being sifted I have or am in the process of building this canoe (a website/blog http://parksartworks.blogspot.com/) take a look, let me know what you think, I am updating it as fast as a person can.

The Marine Stewardship Council (MSC)

Along with Bird Friendly®, Northwest Shade Coffee Campaign, and many others, you can also help the birds by eating fish with the Marine Stewardship Council (MSC) label. Click on the image to learn more.

Migration Time

Well it’s that time of year; birds of all kind are visiting along the shores of the great lakes region. I have been out shooting photographs, sketching notes, or just plain observing. It’s great for me because I have a lot of time on my hands, unemployment D ; well I guess it depends on how you look at it. On the other hand, I have been getting a lot of illustrations done for my book on birds; consisting mainly of watercolor and ink, check some of them out on my blog http://parksartworks.blogspot.com. I have also been getting a lot of ideas for some new encaustic pieces; even though I can't paint encaustic right now. Well if you haven't already done it and you live along the lakes- or anywhere, get out there and enjoy the birds.